Although all of the characters in Alvarez’s novel live under
the shadow of the same dictator, it is clear that men and women exist in two separate worlds. With a few exceptions, the
men of the novel are occupied with farming, money, and power, while the women
are concerned with housework andmotherhood. Because we live in a patriarchal society, we tend to overlook the importance of domestic work (women's work), and believe that in order to have any kind of influencing/political power, women have to give up their roles as mothers and caretakers and become more like men. However, even though we tend to think of war as a male occupation, the revolution depicted in Alvarez's novel is distinctly feminine.
In the scene where
Patria narrates the founding of the Fourteenth of June Movement, Alvarez blends
images of revolution and war with images of domesticity, suggesting that the mission
of the movement is to start an “internal revolution” that is not just inside of
the country, but inside of the home as well (167). For example, she says that the "bombs were made" on the same table where “you could still see the egg stains
from [Patria’s] family’s breakfast” (167). The juxtaposition of the domestic scene
of a family eating eggs with with the making of bombs indicates a similarity
between the actions; just as Patria works to keep her family fed, the Fourteenth
of June Movement is working to sustain a revolution.
![]() |
Needlepoint, despite its intricacy, is often undervalued |
Additionally, instead of being a hindrance, Maria Teresa “feminine” traits aide in her ability to contribute to the movement. Patria is shocked to find that “Maria Teresa, so
handy with her needlepoint,” is helping in the process of making bombs, “using tweezers and
little scissors to twist the fine wires together” (167). Maria Teresa's training in needlepoint—women’s work that is typically undervalued or dismissed as “decorative” and essentially useless—has actually provided
her with the precision and the skills required for the delicate operation of making
explosives. Notably, the pipe bombs are known as “nipples,” indicating the connection between resistance to Trujillo's regime and women's bodies.
What is the role of women in the movement against Trujillo? Does it differ from the role of men?
Where else in the novel does Alverez link femininity to resistance?
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.